aaron larget-caplan, guitar

Acclaimed international recording and touring guitarist Aaron Larget-Caplan is an exciting and innovative leader in classical music. Noted for his “astounding technical proficiency and artistic delicacy” by the Boston Musical Intelligencer, Larget-Caplan is an international touring and recording artist. He has performed solo and chamber music in Europe, Russia, Taiwan, and across the United States including El Palacio de Linares in Madrid, Spain, Sheremetev Palace in Russia, and Palazzo del Te & Ducale in Mantova, Italy. At 16 he made his debut at the Tabor Opera House, and has since premiered over 80 solo and chamber compositions, soloed with orchestras, directed concert series, created commissioning endeavors, and brought classical music into schools and communities. A gifted performer and speaker, he is sought for his deft programming of new and standard repertoire, while connecting with audiences with a Bernstein-esque ease. In 2019 Aaron received a medal from the Société Académique Arts-Sciences-Lettres of Paris, France for his trailblazing work in music, and in 2020 was Musician in Residence at the Banff Centre for the Arts and Creativity.

Aaron has five critically acclaimed solo recording: Nights Transfigured (2020), John. Cage. Guitar. (2018), The Legend of Hagoromo (2015), New Lullaby (2010), Tracing a wheel on water (2006), and he is featured four others as a soloist and chamber music for record labels Albany, Navona, and the American Composers Alliance. The recordings have received critical acclaim from Audiophile, Fanfare, American Record Guide, Guitar Magazine and many more with such response as “stunningly played” (Fanfare), "eclectic and endlessly rewarding release" (Classical Guitar), “A Significant Recording” (Classical Guitar UK). He became the first American artist on the UK label Stone Records in 2015.

Aaron is the founder of numerous commissioning and performance endeavors, including the New Lullaby Project, which bridges the chasm of fear audiences towards contemporary music and composers to writing for guitar, for who's afraid of a lullaby?! Since 2007 Aaron has premiered over 60 new lullabies by 55 different composers from nine countries. A third New Lullaby Project album will be issued in 2021. In January 2021, The American Composers Alliance began publishing a multi-volume anthology featuring scores of the New Lullaby Project titled 'Nights Transfigured, Music of the New Lullaby Project, Volume 1. Aaron is collaborating with composer Vineet Shende of Bowdoin College for 12 Carnatic Preludes, After J.S. Bach, a re-imagining of Bach preludes from the Well-Tempered Clavier in a South Indian style paired with Aaron’s arrangements of Bach's originals. Aaron is also the founder of the ensemble ¡Con Fuego! (With Fire!), a passionate cross-fertilization of flamenco dance and Spanish classical music. From 2010-2014 Aaron directed Greater Boston House Concerts presenting 23 international artists, and his latest endeavor, “Now Musique – Exploring the New & Neglected” debuted in 2019.

Larget-Caplan performs his own arrangements of Bach, Scarlatti, and Spanish composers, and he is hailed for his arrangements of John Cage, Six Melodies for violin & guitar and Piano Music arranged for Guitar, which are exclusively published by Edition Peters and are the first officially sanctioned arrangements of Cage for guitar. The American Record Guide called his transcription of 'Bacchanale' by John Cage for two prepared guitar "marvelous". The Guitar Foundation of America wrote: “I would strongly advocate these [Cage] compositions to be performed by young guitarists before they start working on any other contemporary composers.”
Aaron recently received exclusive permission from the estate of Reynaldo Hahn and Édition Musicales Alphonse Leduc to perform his arrangements of Hahn’s “Mélodies” for voice and guitar. Upcoming publications include music of Cage, Alan Hovhaness, Hahn, Mario Castelnuovo-Tedesco, and Pascual Marquina.

Larget-Caplan's published articles include: “Have Guitar, Will Travel – To Russia With Love”, The Triangle of Mu Phi Epsilon, and “Meet the Luthier with Sicilian Builder Franco Marino”, Boston Classical Guitar Society Quarterly. Interviews of Aaron include “Building a career through talent and savvy”, The Triangle, and “On the Trail with Lullaby Hunter, Aaron Larget-Caplan”, Fanfare Magazine where he was noted for his “enthusiasm and virtuosity”. He has given lectures Being an Artist Entrepreneur in the 21st Century and Creating Commissioning Projects at universities as well as the Guitar Foundation of America and for the international music fraternity ΜΦΕ. His John Cage Guitar and Legend of Hagoromo lectures were accepted to the IGRC in 2019 in Hong Kong, and he will perform and lecture at the 21st Century Guitar Congress in Portugal in 2021. Aaron has appeared on numerous radio and television stations across the US including Conducting Conversations, and Classical Guitar Alive, and held online roundtables on Composing for Guitar.

Mr. Larget-Caplan has received awards and grants from the Société Académique Arts–Sciences–Lettres of France, American Composers Forum, New England Foundation for the Arts, American Composers Alliance, New England Conservatory, D’Addario Foundation, Mu Phi Epsilon Foundation, numerous Local Arts Councils, he was awarded as an I.D. LOTT – Identifying Future Leaders of Today and Tomorrow for his artistic and community work in Dorchester, and he was named an ACME Honoree as a distinguished Artist and Educator by the international music fraternity Mu Phi Epsilon. A proponent of live classical music in society and arts in education, he give enrichment programs and artist residencies alongside formal concerts throughout the country and internationally.

Aaron is currently on faculty at the University of Massachusetts Boston and formerly at the Boston Conservatory. He gives artist residencies, masterclasses, workshops and lectures across the country, including in Canada, Italy and Russia, for the Guitar Foundation of America, the International Music Fraternity Mu Phi Epsilon, and the Banff Centre for the Creative Arts. He is a graduate of the New England Conservatory, he has studied flamenco, and his principal teacher was Dmitry Goryachev. Larget-Caplan performs on a guitar by the French master luthier Olivier Fanton d’Andon and plays on Hannabach strings exclusively. He lives in Boston where he enjoys espresso with his wife, healer, and muse, Catherine.

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STEPHANIE ANN BOYD, COMPOSER

Michigan-born, Manhattan-based American composer Stephanie Ann Boyd (b. 1990) writes melodic music about women’s memoirs and the natural world for symphonic and chamber ensembles. Her work has been performed in nearly all 50 states and has been commissioned by musicians and organizations in 37 countries. Boyd’s five ballets include works choreographed by New York City Ballet principal dancers Lauren Lovette, Ashley Bouder, NYCB soloist Peter Walker, and XAOC Contemporary Ballet’s Eryn Renee Young.  Eero, a ballet commissioned by Access Contemporary Music and Open House New York, was written for the grand opening of the TWA Hotel at JFK Airport. Her music has been praised as “attractive lyricism” (Gramophone), “[with] ethereal dissonances” (Boston Globe), “[music that] didn’t let itself be eclipsed” (Texas Classical Review), “arrestingly poetic” (BMOP), and “wide ranging, imaginative” (Portland Press Herald).

Boyd’s music has been commissioned and performed by concertmasters of the BBC Symphony Orchestra, the Singapore Symphony, the New York City Ballet Orchestra, the Des Moines Symphony, the Faroe Islands Symphony, the Anchorage Symphony Orchestra, the Fort Smith Symphony, the Arkansas Philharmonic Orchestra, and principal players in the Colorado Symphony Orchestra.  Her music has been commissioned and/or played by the Boston Modern Orchestra Project, the New England Conservatory Philharmonic, the Cape Cod Chamber Orchestra, the New York Jazzharmonic, the River Oaks Chamber Orchestra, the Roosevelt University Orchestra, the Eureka Ensemble, the JVL Festival Orchestra, the Texas State University Symphony, the Cremona International Academy Orchestra, the UW La Crosse Symphony, the Detroit Civic Orchestra, and the El Paso Youth Symphony. Her work has been presented by the Thalia and her Sisters concert series, the Moirae Ensemble, and Sandcastle New Music in New York City; Æpex Contemporary Music in Michigan; Juventas New Music, Collage New Music, and the New Gallery Concert Series in Boston; Cincinnati Soundbox, and others. Stephanie has worked with conductors such as Andrew Litton, Lina Gonzales, Earl Lee, Nathan Aspinall, Cliff Colnot, Gill Rose, Julian Benichou, Kristo Kondakci, and Kevin Fitzgerald.

The 2020/2021 season includes commissions from the Wyoming Symphony, Astral Artists with cellist Tommy Mesa, violinist Megan Healy, pianists Lara Downes, Lise de la Salle, Marta Aznavoorian, Lucille Chung, Susie Maddocks, Adrienne Park, Diane Kaztenburg Braun and Music Street, Sarah Bob and the New Gallery Concert Series, Holly Roadfeldt, Marianne Parker, Eunbi Kim, the Kurganov-Finehouse Duo, and others. This season also includes performances by the Lincoln Trio, Juventas New Music, Jennifer Reason, Lisa Pegher, Shouthouse, Ayanna Witter-Johnson, including concerts at the Kaufman Center, the Boston New Music Festival, the Festival of New American Music, Pianoforte in Chicago, live on Chicago’s WFMT radio station, and elsewhere.

Stephanie holds degrees from Roosevelt University and New England Conservatory, and she was one of the last violin students of renowned pedagogue John Kendall.

http://stephanieannboyd.com